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a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater
In a different mode
Debora Vogel (1900-1942) wrote in Yiddish unlike anyone else
Anna Shternshis’s fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism
and the pressure to discard old ways of life
Contemporary Jewish Writing in Europe: A Guide by Vivian Liska and Thomas Nolden textbook-shipeasy a strategy that enabled themWith contributions from a dozen American and European scholars, this volume presents an overview of Jewish writing in postWorld War II Europe. Striking a balance between close readings of individual texts and general surveys of larger movements and underlying themes, the essays portray Jewish authors across Europe as writers and intellectuals of multiple affiliations and hybrid identities. Aimed at a general readership and guided by the idea of
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