Waves of Belonging : Indigeneity, Race, and Gender in the Surfing Lineup ((HC) 2009 it argues that heritage narratives

it argues that heritage narratives are almost always based on national messages that commonly reflect colonial perceptions of the past

and geographical boundaries—varying in voice between first person or that of her elders or children—resulting in a collective appeal

a role which she has fulfilled consistently for the last six decades

Based on the author’s family history of residential school separation

nine artists present their work and their stories in their own words

Waves of Belonging : Indigeneity, Race, and Gender in the Surfing Lineup ((HC) 2009 it argues that heritage narrativesEdited by Lydia Heberling, an assistant professor of ethnic studies at California Polytechnic State University, San Luis Obispo, and David Kamper, a professor of American Indian studies at San Diego State University. Contributors include Nick Reo, an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians (Anishinaabe). He uses Indigenous methodologies to study and participate in Indigenous knowledge practices, Indigenous land and sea